Saturday, June 23, 2007

CYCLES

My mother grew up relatively poor on the East End of Cincinnati.

Her father was an extremely handsome man with lots of promise. He worked as an engineer at the University of Cincinnati, but wasted each of his lofty paychecks on whiskey, women and dance. He was quite a charismatic man. College material, Creole origins, and a mysterious love of trains.

My grandmother, on the other hand, was a product of an educated family with an abundance of high achievers. Although her momentum was derailed when she was forced to drop out of school in the eight grade to tend her sickly mother. Her paternal grandmother was college-educated and a schoolteacher. Her grandfather was a descendent of blacks who hadn't tasted slavery since the mid-17th century, and even then it was described as indenturement. Her father and his brother both attended Walden University [present-day Tennessee State]. Her father worked briefly for the Kentucky governor, and his brother became a doctor. Proud AMEs with political standing and a social strategy to marry light but never white.

My grandmother's father, however, married an orphan who suffered from depression, strokes and numerous miscarriages. "She was mean", my mother said in the one time she mentioned her. "Mean, little and very light." But her husband lived life fully. He was often described as jolly, charming and who would recite poetry every morning if he wasn't at a baseball game. However his life didn't unfold like his doctor-brother, or even his younger brothers, who were classically-trained pianists. A die-hard Cincinnati Reds fan, he eventually worked as the infamous ice and coal man for Cincinnati's "colored" community to support his ailing wife. A few years ago, one of my grandmother's cousins from Minnesota, the wife of a botanist, told me she remembered my great-grandfather, how lovely and smart he was; but how unfortunate it was that the Catholic church almost took away his children. I was shocked by this news. And too afraid to ask the impetus behind such scandal, afraid of being looked upon as pathetic by educated relatives who were already suspect of my not-light-enough skin. So I kept my mouth closed as my heart bled for my grandmother's father.

I can't help but to think about the cycles in my family. People with lots of promise, falling short. The patterns of attraction. My grandmother married a man much like her father. Charismatic, full of promise, but curtailed by some mundane or tragic obstacle. A few cousins also fit the bill. And a few aunts seemed to have been seduced by the magic of an uncle or two, and ultimately left in confusion, and vice-versa. Even me, drawn to the illuminating power of another, feeding off their potential, but often disappointed that the potential has nothing to do with the actual.

Some of my intellectual-artist friends like to talk about the economic and social woes within the black community. But I often like to humanize my people. Sometimes it's good to break cycles... in order to peel back the gunk and look the truth in the face. What you'll discover is that nothing is random.

Until next time,

Keith

Tuesday, June 19, 2007

Life has been good. I've been doing a little bit of traveling, WRITING, just signed the long-awaited contract for my screenplay, and I'm moving again. Yeh, don't ask for the details. Let me just say, Life is short and one should live how they like, where they like without an alcoholic asshole snoring and spitting all night long in such a high volume you wake up out of your sleep to scream SHUT UP, but then realize he's not your big brother in the other bed thirty years ago, he's actually in the apartment upstairs!

Until next time,

Keith

Wednesday, June 06, 2007

For those of you who know me know that I was born and raised in Cincinnati, Ohio. For those of you who know anything about Cincinnati, Ohio know that it sits on the far eastern edge of the Bible Belt [what I sometimes call Born Again Christian-dom]. For those of you who've spent more than two hours with me know that I had a scalding, unsavory experience growing up among relatives who believed Christ's Return was far more urgent than a grandmother's double by-pass, or a child's dream to be a writer.

Which slips me into this: I saw an amazing play-slash-performance piece entitled HORIZON. It just opened at the New York Theater Workshop, and I must admit, it's one of the most savory experiences I've had in the theater in quite some time.

Rinde Eckert is the mind and soul behind this piece, and if you're anything like me—seeking to reclaim the identity that Christian relatives took away, you'll enjoy this theatrical meditation on the meaning of sin, guilt, close-mindedness, and why we humans spend much more time suppressing our humanity and then literally stomping out other's desire to be human... than actually just living in the world.

HORIZON by Rinde Eckert. Go see it.

Until next time,

Keith