Wednesday, May 23, 2007

Yesterday I was in line at Whole Foods on 14th Street and I forced myself to look closely at the business of downtown living. Most of the patrons were 20-30-40-something white types, some smug about their choice in high-brow grocery shopping, others just hungry for some roasted chicken and in a hurry to hit the park across the street and read a novel.

Then there were the workers—the cashiers, the guys down in the seafood unit. Most of them were black, West Indian descent and American, the others were Latin—predominately of Caribbean descent. And unlike the patrons, these workers were much younger. Eighteen, twenty maybe. A few pushing twenty-one.

At first I was angered, all of these young minds of color, their lives shaped by the high-brow needs of white types. Then I got angry at them. Why didn't the pay closer attention in high school, why did they spend more time dismissing the idea of education and embracing socializing and its inevitable slow-burn. Then I thought is this what they wanted. To graduate from high school and become cashiers at Whole Foods. And then I thought about some of their peers who attended the same school, shared notes in the same pre-calculus course, but went on to graduate and now exploring the ivy-coated quads of Penn State, or even the neighboring NYU.

Then I calmed down, tossed aside my judgments, and thought clearly that something is certainly wrong. With our nation. With our public school system. With unresolved emotional scarring in the older generation that is now handicapping this generation. Something. I don't know. Sure, we can easily say racism or classism are the evil-doers, but it's not enough to point out the culprit/s. The culprit has been obvious for centuries. But what can be done to change the course of direction for these young minds defaulting into servitude for the urban bourgeoisie.

I say we start with the schools. And this is not to blame the teachers, etc, but to simply point out that something new needs to be implemented. Something that will encourage and challenge these young people to place education as a priority, no matter what emotional, personal or economical obstacle falls in their path. Something must be implemented that seriously addresses the importance of education to the emotional and social survival of the young "colored" mind.

And as I was taking my receipt from the cashier, with her blue eye-shadow and coarse black curls, I wondered if the only true change can come from revolution. Like in the children of Soweto. Self-righteous and bloody. I don't know. Something.

Until next time,

Keith

Wednesday, May 16, 2007

For the last week I've been finishing up on my second short story. And although I'm in the middle of doing some last minute touches on the story as I type this I just wanted to say: Last night I went to a reading of a new play by Marcus Gardley. I had only heard about this man. That he was a poet and a nice person. But last night I heard his work and I was extremely excited and moved and inspired. His work is rich and historic and personal and lush and sexual and criminal and religious and inventive. His work is what makes theater and literature so important and so urgent. If you're ever out in the world and you hear of this writer, SUPPORT HIM.

Until next time,

Keith

Thursday, May 03, 2007

My good friend [and novelist] Nichelle Tramble emailed me yesterday to say: UPDATE YOUR BLOG! And when Nichelle Tramble comments on something it means to take note and take action.

So, here's the deal: Lately I've been writing like a mad man. I've written my first offical short story in over 15 years. And I'm in the middle of another one. I haven't been so excited by writing in a very long time. Which is why I haven't been blogging lately. Most of my creative energy is being dumped into the short stories. And the two plays I'm rewriting.

And the Tribeca Film Festival. I've attended two films so far. Descent with Rosario Dawson [about a college co-ed who's date-raped and the spirals down to nothing, well not before seeking revenge], and The Bubble [an alternative love story set in present day Tel Aviv between a Palestinian and an Israeli.

And last night I saw this amazing AMAZING amazing AMAZING play/musical called PASSING STRANGE. It's written by this triply-amazing musician/writer named Stew. With Colman Domingo, Eisa Davis, Daniel Breaker. PASSING STRANGE follows the life of one middle-class black kid who opposes the traditions of the black middle class and black iconography, and travels to Europe to carve out his own unique identity. It was really wonderful. It's so rare to see a play [or movie] that explores the lives of African Americans who live alternative lifestyles. So rare. And I'm so grateful for this beautiful play.

If you're in NYC, check it out. NOW! But for now listen to one of those songs: LOVE LIKE THAT


Until next time,

Keith